|Dracula vs. the Nazis||In Tandem Theatre||Milwaukee, WI||October, 2016|
|Intersections||Arts Riot||Burlington, VT||October, 2016|
|Mixed Repertory||Exit 12 Dance Company||Johnson, VT||October, 2016|
|Amadeus||Moonbox Productions||Boston, MA||November, 2016|
|A Christmas Carol||Perseverance Productions||National Tour||November, 2016|
|Winter Dance||Bridgewater State University||Bridgewater, MA||December, 2016|
|The Nutcracker||Ballet Theatre Company||West Hartford, CT||December, 2016|
|Flat Stanley||Stoneham Theatre||Stoneham, MA||January, 2017|
|Sweeney Todd: The Demon Barber of Fleet Street||Stoneham Theatre||Stoneham, MA||January, 2017|
|Emperor's New Clothes||Stoneham Theatre||Stoneham, MA||January, 2017|
|Perceptions||Paradise Lost: A Movement Collective||Cambridge, MA||January, 2017|
|Mary Poppins||Stoneham Theatre||Stoneham, MA||January, 2017|
|Gabriel||Stoneham Theatre||Stoneham, MA||April, 2017|
|Spring Repertory Concert||Ballet Theatre Company||West Hartford, CT||May, 2017|
|Barefoot In The Park||Theatre Workshop of Nantucket||Nantucket, MA||May, 2017|
|Really Rosie||Weston Playhouse||Weston, VT||June, 2017|
|Dusty And The Big Bad World||Martha's Vineyard Playhouse||Vineyard Haven, MA||July, 2017|
|Mixed Repertory||Nozama Dance Collective||Cambridge, MA||August, 2017|
|Driving Miss Daisy||Martha's Vineyard Playhouse||Vineyard Haven, MA||September, 2017|
|Melasa||Danza Orgánica||Boston, MA||October, 2017|
|The 39 Steps||Moonbox Productions||Boston, MA||November, 2017|
|Enough||ParadiseMoves||Watertown, MA||November, 2017|
|Shrek||Lasell College||Newton, MA||November, 2017|
|The Nutcracker||Ballet Theatre Company||West Hartford, CT||December, 2017|
|A Christmas Carol||Vermont Youth Theater||Barre, VT||December, 2017|
|The Snow Queen||Martha's Vineyard Playhouse||Vineyard Haven, MA||December, 2017|
|Crossing Flight||TC Squared Theatre Company||Boston, MA||January, 2018|
Jeffrey E. Salzberg has designed the lighting for dance, theater, opera, and puppetry all over the United States. Among the companies with which he has worked are the Houston, Pittsburgh, and Washington Ballets, for whom he has lit such ballets as Caliban, Swan Lake, and (of course) The Nutcracker. He has lit several solos, including A Shropshire Lad, featuring then New York City Ballet principal dancer Peter Boal, for Manhattan-based Dance as Ever, and has also lit a new work created on Royal Ballet's Alexandra Ansanelli. DanceView Magazine said of A Shropshire Lad, "It was an extraordinarily moving piece, especially the elegiac last song. . .where the effective lighting (by Jeffrey E. Salzberg) seemed both to box the dancer in and to elevate him above all human suffering." The New York Times has called his work, "ingeniously atmospheric."
With Sandglass Theater, he took Between Sand and Stars to the 8e Festival international des artes de la marionnette in Jonquière, Quebec.
He designed the lighting for the Peccadillo Theater's Off-Broadway production of Room Service. NYTheatre.com said of the original Off-Off-Broadway production, "The...lighting by Jeffrey E. Salzberg...serve(s) the play effectively... with just the right touch of realism...."
Many of Mr. Salzberg's designs, including Contemporary Dance/Fort Worth's To Turn Again, the Ensemble Theatre's A Soldier's Play, and Florida Studio Theatre's Hysteria, have won critical praise. The Fort Worth Star-Telegram called the lighting for To Turn Again, ". . .a devastating blend of image and sound." The Houston Chronicle, reviewing another production, said, "With its. . .lighting and dancing, the company has dramatically lifted the level of local dance."
Mr. Salzberg has also served as a design consultant for several theatre facilities. He is the past president of the Houston Dance Coalition's Board of Trustees and has participated in the arts funding process as a grantwriter, a panelist, and a member of the Board of Directors of the Cultural Arts Council of Houston/Harris County.
Mr. Salzberg urges you to support your public radio station.